36
A RARE MOTTLED APPLE GREEN JADEITE CENSER AND COVER, FANGDING, China, Qing dynasty, possibly Qianlong
h cm 19,6
It rests on four tall cylindrical legs finely carved with two cord bands above which stand out taotie masks. The rectangular-section body is adorned with intricate double interlaced cord decorations running along the borders, corners, and the center of each of the four sides. Two openwork handles in the shape of ruyi are carved in relief, while the cover echoes the interlaced cord motif of the body and is surmounted by a finial sculpted as a lion grasping a peony branch in its mouth. The piece is set on a finely carved wooden base featuring a central flower and rope motifs that recall those of the vessel itself.
Jade objects featuring rope decoration were produced during this period, as evidenced by the green jade vase and snuff bottle at the Palace Museum, Beijing, inventory nos. 故00092702 (link) and 故00093252(link), respectively.
清 翡翠狮纽绳纹方鼎(可能乾隆年间 )
来源:
Provenance:
– Bulgari Collection, Rome, no. I0IN.
– Private collection, Rome.
Catalogue Notes:
It is very rare to find a jadeite vessel decorated with a rope motif. This ornamental element originated in the Neolithic period, when cords were wrapped around vessels for practical purposes, and it had already become a decorative motif in antiquity (see the Warring States bronze vessel at the Palace Museum, Beijing, inventory no. 新00076872, link) and was revived during the Qianlong period, as the emperor was an ardent admirer of archaistic style. This censer, which combines a Shang form with a Neolithic motif, would reflect the Emperor’s typical taste.Jade objects featuring rope decoration were produced during this period, as evidenced by the green jade vase and snuff bottle at the Palace Museum, Beijing, inventory nos. 故00092702 (link) and 故00093252(link), respectively.
Compare also the nearly identical white jade fangding censer of Qianlong period with the same rope decoration and wooden base, sold at Sotheby’s, Important Chinese Art including Jades from the De An Tang Collection and Gardens of Pleasure – Erotic Art from the Bertholet Collection, 29 April 2022, Hong Kong, lot no. 3632 (link).
清 翡翠狮纽绳纹方鼎(可能乾隆年间 )
来源:
– 宝格丽收藏,罗马,编号 I0IN。
– 私人收藏,罗马
图录注释:饰以绳纹的翡翠器皿极为罕见。绳纹起源于新石器时代,当时人们出于实用目的将绳索缠绕在器皿上。在古代,绳纹已发展成为一种装饰纹样(参见北京故宫博物院藏战国时期青铜器,藏品编号新00076872, 链接)。乾隆年间,由于乾隆皇帝崇尚古朴风格,绳纹再次复兴。这款香炉融合了商代风格和新石器时代的图案,反映出典型的皇家风格。乾隆时期也出现了饰以绳纹的玉器,例如北京故宫博物院藏绿玉瓶和鼻烟壶,藏品编号分别为故00092702和 (链接) 故00093252 (链接)。
此外,还有一件乾隆时期的白玉方鼎香炉,与此香炉的绳纹装饰和木底座几乎完全相同,曾在2022年4月29日香港苏富比拍卖行“重要中国艺术品,包括德安堂玉器收藏及贝尔托莱收藏的专场拍卖会上售出,拍品编号为3632 (链接)。
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